Showing posts with label David Oyelowo. Show all posts
Showing posts with label David Oyelowo. Show all posts

Monday, January 5, 2015

A Most Violent Year Invokes Memories Of Many Great Classics

J.C. Chandor's been killing it since he burst onto the scene back in 2011 with Margin Call. A Most Violent Year is his next film of quality.
A Most Violent Year is an interesting take on the mafia mentality... or rather a completely new perspective. Because this isn't a mob movie. This is an anti-mob movie. Abel Morales (Oscar Isaac) is a power-hungry opportunist building an oil empire throughout the burrows of New York. But every step of the way he seems intent on staying fair and honest. Though the rest of the world seems to assume him a crook... and even his own wife Anna (Jessica Chastain) may not be a trustworthy partner in his attempts to keep things clean.
The cast is excellent. Oscar Isaac and Jessica Chastain both give exceptional performances worthy of any awards season. And while I feel like Albert Brooks gave one of his hammier performances in recent memory, his character seems well written enough to keep him on track throughout the film's run-time. David Oyelowo shows up once again this year. And I have to say, I'm becoming more interested in his career with each day. Between this and Selma he can mark 2014 down as a real victory.
But what J.C. Chandor has accomplished with this film goes far beyond the acting performances. He has proven that he can make a period piece in the style of old Hollywood, but still manages to bring modern sensibilities to the table... rather, he has proven that no one can box him into a corner and label him as just a "this kind" of director. And while last year's All Is Lost didn't really do it for me, I still can't say he's made a bad film. There's just too much good stuff to be taken from the three he's got... and between this and Margin Call, the other could be forgotten regardless.
A Most Violent Year is certainly on par with the best films of 2014 and well worth your time and money.

Tuesday, December 30, 2014

Selma: Finally A Martin Luther King Movie!

Selma isn't a perfect movie, but I'm just glad to get a good enough flick about such an important historical figure.
Everybody knows who Martin Luther King Jr. was. He broke racial barriers and changed the way our country perceived humans and their basic rights. Selma is the true story of how Dr. King lead a group of peaceful protesters through the overtly racist state of Alabama in an attempt to push the argument about fair voting practices into law. It's an amazing story; an example of one man proving to have more power than all of the lawmakers and political officials of this country combined. And while it seems less and less likely that any other individual will have the kind of impact that Dr. King did, it is still a welcome lesson in how someone under those conditions may work... and what he or she may have to expect from the power in question.
Ava DuVernay can be proud of the film she made. It shocks and amazes me that this is the first big screen adaptation of Martin Luther King's life. And David Oyelowo gives an excellent performance as the reverend. He has not always been my favorite actor... his part in Rise of the Planet of the Apes comes to mind as a particularly low quality performance. But in Selma, he delivers. He brought back memories of every recording and video I've ever caught of Dr. King. And surely that is a good sign. I liked Carmen Ejogo here as well, though I felt her role called for a little more stimulus. Selma did happen to remark on a very interesting period in their relationship, and I greatly appreciated at least getting a glimpse into that dynamic. But it felt, unfortunately, too short lived. Tim Roth comes through as usual with a very specific quality performance. I'd refer to his role George Wallace as the villain, though he really fills a strange niche. And he shows his darker more disgusting side with an obscure composure. I love to see what good actors can do with such unbelievable and unrelatably true qualities.
At the end of the day, Selma is good enough. Given we've had to wait so long for anybody to even attempt this story on the big screen, I'm very glad to have gotten something at least of this caliber.